Our Faculty – Session 2

2021 Core Faculty Full Line-up

These are the folks that you'll be working with all three days at Maryland Summer Jazz. They will be teaching the small combos, electives, masterclasses, and private lessons. (Core faculty is rotated each day.)


Jeff Antoniuk

Saxophone/Artistic Director


Saxophonist Jeff Antoniuk is an internationally respected jazz composer and musician whose concerts and recordings are consistently well received by critics. His CD’s, including "The Blind Watchmaker" with The MARS 4-tet and "Brotherhood" and "Here Today" with The Jazz Update have been lauded by jazz critics around the world. They note his exceptional compositions as well as the his peerless technique. Antoniuk has shared the stage with US masters including Ray Charles, Natalie Cole, Jimmy Haslip, Najee and Marcus Miller. He's also worked with Canadian greats PJ Perry, Senator Tommy Banks, big band leader Rob McConnell, pop icon David Foster and trumpet sensation Ingrid Jensen. In 2017, Jeff was the featured soloist with the Baltimore Symphony Orchestra in the world premier of their "Swingin' Nutcracker," a jazz reinvention of the 25 movement Tchaikovsky classic. Antoniuk’s widely popular "Digging Deeper Jazz" You Tube channel is approaching almost 2,000,000 views. A dedicated teaching artist, Antoniuk has been a featured performer and educator at numerous festivals, including Juneau Jazz & Classics, The Jazz Educator Network (JEN) Annual Convention, the Edmonton International Jazz Festival, the International Saxophone Symposium, MacEwan Summer Jazz, and at The White House. He is the founder and artistic director of Maryland Summer Jazz, and directs two other adult music programs in the USA: Jazz Band Masterclass and the Capital City Voices. In 2018, Antoniuk launched Jazz Wire, the global home for adult amateur and semipro jazz musicians.

Paul Bollenback

Guitar


Paul Bollenback started his career in music in 1981, and has performed as a sideman with a wide range of jazz luminaries, including artists as diverse as Stanley Turrentine, Jeff “Tain” Watts, Steve Gadd, Gary Bartz, David “Fathead” Newman, Terri-Lyne Carrington, Joe Locke, Jack McDuff, James Moody, Jim Snidero, Charlie Byrd, Herb Ellis, Paul Bley, Geoffrey Keezer, Mike LeDonne, Carol Sloane, Gary Thomas, Grady Tate, and in the group East Meets Jazz with the renowned tabla virtuoso Sandip Burman, to name a few. He is known for his versatility, and also for an influential 20 year stint with jazz organist Joey DeFrancesco. Bollenback performs on over 80 recordings as a sideman, and has released 8 CD’s as a leader. A busy performance schedule has been augmented since the late ’90’s by steady jazz education duties at Columbia University, Queens College, and The New School. Bollenback is also a composer, who’s pieces have appeared on Joey DeFrancesco’s “Reboppin’” and on the “Jazz Times Superband” CD. His most recent recording, “Portraits in Space and Time” (Mayimba Music), with his trio, was released in 2014. Paul Bollenback resides in the New York City area.

James Moore

Trumpet


Dr. James Moore, Dean of the Faculty and Chief Academic Officer at West Virginia Wesleyan College, served as Director of Jazz Ensembles and instructor of trumpet at Wesleyan from 2006 to 2017. From 2011 to 2017, he served as the chairperson of the Department of Music at Wesleyan and has worked to build one of the most vibrant collegiate jazz programs in the region. Dr. Moore is an active member of the Pittsburgh jazz community where he is a member of the Pittsburgh Jazz Orchestra and has been a member of RH Factor—the Roger Humphries quintet. He has performed with the Smithsonian Jazz Masterworks Orchestra, the Bob Mintzer Big Band, Toshiko Akiyoshi, Ahmad Jamal, Sheryl Bailey, Tim Warfield, and the Lars Halle Jazz Orchestra. Moore appeared on Bob Mintzer’s GRAMMY nominated album For the Moment, released on the MCG Jazz label in 2012. In 2015, Moore appeared alongside NEA Jazz Master Phil Woods and the Pittsburgh Symphony Orchestra in a reprisal of the famous Charlie Parker and Clifford Brown with strings recordings. Moore studied trumpet with Bonnie Miltenberger, Neil Stalnaker, John Swana, and Tim Hagans. He holds an MM in Jazz Studies from the University of the Arts in Philadelphia, and is the first recipient of the PhD in Jazz Studies from the University of Pittsburgh where his advisor was Dr. Nathan T. Davis—founder of the original Pittsburgh Jazz Orchestra.

Leonardo Lucini

Bass


Leonardo Lucini is a bassist, composer and educator in New York City. Born in Rio de Janeiro, Brazil, he has toured abroad with Nestor Torres, Arturo O’Farrill, Alex Acuna, Leo Gandelman, Rogerio Souza, Federico Pena and Gregoire Maret. He also performs with his Brazilian jazz band Origem. In Brazil, he performed with Nó Em Pingo D'Agua, saxophonist Paulo Moura and the Orquestra de Música Brasileira. He has given lectures and clinics at the Levine School of Music, Goucher College, George Washington University, George Mason University and the University of Maryland. He is an artist in residence at Montgomery College, where he lectures on Brazilian music and directs the Latin Ensemble. A graduate of Howard University, Mr. Lucini also holds a masters in music from University of Maryland.

Sherrie Maricle

Drums


From the drum set Sherrie leads The DIVA Jazz Orchestra, her quintet FIVE PLAY and co-leads the 3Divas. From Carnegie Hall, she performs with The New York Pops and from celebrated stages everywhere, she is music director and drummer for Broadway star Maurice Hines. Sherrie is also a busy freelance performer and a published composer/arranger. The DIVA Jazz Orchestra’s 25th Anniversary Project (2018, ArtistShare) is the band’s most recent Cd, featuring original music composed by band members. With her bands Sherrie has performed at many of the world’s most acclaimed music venues and festivals; from Lincoln Center to the Kennedy Center and the Hollywood Bowl, to Jazz Festivals in Europe, Japan, Israel and beyond. Additionally, DIVA was featured on CBS Sunday Morning with Charles Osgood, on TCM’s televised broadcast of the 25th Anniversary of the Kennedy Center and NHK Japan’s New York Jazz. Sherrie has received several awards and honors, including the New York City Music Educator’s Award for Outstanding Contributions to Education. As an educator, Sherrie runs a private drum set and percussion studio. She is also a clinician for Yamaha Drums, Sabian Cymbals, Aquarian Drum Heads and Vic Firth Drum Sticks. After earning her Bachelor of Arts degree in 1985 from Binghamton University Sherrie moved to New York City and attended New York University, where she completed a Masters of Arts in Jazz Performance in 1986 and a Doctorate of Philosophy in Jazz Performance/Composition in 2000.

Super Special Guests

These legends will be giving a guest presentation during one of the three days. Check the schedule to find out which day they are speaking!

Vincent Herring

Saxophone


Saxophonist Vincent Herring's intense, soulful, multi-noted style and ebullient swing have excited audiences worldwide. On stage, Herring and his band often make an incendiary sound over fine and controlled rhythms of modern times. Vincent started playing saxophone at the age of 11 in school bands and studying privately at Dean Frederick’s School of Music in Vallejo, CA. At the age of 16, Herring was studying at California State University at Chico on a music scholarship. A year later he had won a berth in the United States Military Academy Band at West Point. Vincent moved to New York City in early 1980's attending Long Island University. He first toured in the United States and Europe as part of the Lionel Hampton Big Band. With his sound strongly influenced by Julian “Cannonball” Adderley, Vincent’s virtuosity and promise came to the attention of Nat Adderley. The two forged a nine-year musical relationship, producing nine albums and touring around the world year after year. After Nat’s death, Louis Hayes collaborated with Vincent to form the Cannonball Adderley Legacy Band. Vincent worked and recorded with Cedar Walton for more than 20 years. He has also appeared on stage and or recordings with Freddie Hubbard, Dizzy Gillespie, Louis Hayes, Art Blakey and The Jazz Messengers, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, Mike LeDonne, Carl Allen, Ron McClure, and John Hicks among others. His extensive guest soloist appearances include performances with Wynton Marsalis at Lincoln Center and Jon Faddis and The Carnegie Hall Big Band.

Kenny Werner

Piano


Kenny Werner has been a world-class pianist and composer for over forty years. His prolific output of compositions, recordings and publications continue to impact audiences around the world. In 1996 he wrote his landmark book, Effortless Mastery, Liberating The Master Musician Within. Werner has since created videos, lectured world-wide and authored many articles on how musicians, artists or even business people can allow their “master creator” within to lift their performance to it’s highest level, showing us how to be spontaneous, fearless, joyful and disciplined in our work and in our life. Kenny was recently awarded the 2010 Guggenheim Fellowship Award for his seminal work, No Beginning No End. No Beginning No End is a musical journey exploring tragedy and loss, death and transition, and the path from one lifetime to the next. Utilizing over 70 musicians, Kenny’s third album for Half Note Records is an expansive composition featuring Joe Lovano, Judy Silvano, Wind Ensemble, Choir and String Quartet. Born in Brooklyn, NY on November 19, 1951 and then growing up in Oceanside, Long Island, Kenny began playing and performing at a young age, first recording on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His natural instinct for improvisation led Kenny to the Berklee School of Music in 1970. There he sought tutelage of the renowned piano teacher Madame Chaloff. A Her gracious wisdom and inspiration became a driving force in Kenny’s conception: A music conscious of its spiritual intent and essence. From Boston, Kenny traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Victor’s twin brother, Brazilian pianist Joao Assis Brasil. He studied with Joao, who provided another piece of the puzzle for Kenny’s conception that would lead to Effortless Mastery, his landmark opus on how to allow the master musician from within to manifest. The book, is now available as an ebook on kindle and in Ibooks

Randy Brecker

Trumpet


azz trumpeter and composer Randy Brecker has helped shape the sound of jazz, R&B and rock for more than four decades. His trumpet and flugelhorn performances have graced hundreds of albums by a wide range of artists from James Taylor, Bruce Springsteen and Parliament/Funkadelic to Frank Sinatra, Steely Dan, Jaco Pastorius and Frank Zappa. Born in 1945 in Philadelphia to a musical family, Randy’s musical talent was nurtured from an early age. He attended Indiana University from 1963-66 studying with Bill Adam, David Baker and Jerry Coker and later moved to New York where he landed gigs with such prominent bands as Clark Terry’s Big Bad Band, the Duke Pearson Big Band and the Thad Jones Mel Lewis Jazz Orchestra. In 1967, Randy ventured into jazz-rock with the band Blood, Sweat and Tears, but left to join the Horace Silver Quintet. He recorded his first solo album, ‘Score’, in 1968, featuring a young, then unknown 19 year-old tenor saxophonist named Michael Brecker. After Horace Silver, Randy joined Art Blakey’s Jazz Messengers before teaming up with brother Michael, Barry Rogers, Billy Cobham, and John Abercrombie to form the seminal fusion group ‘Dreams’. The group recorded two adventurous and wildly acclaimed albums: ‘Dreams’ and ‘Imagine My Surprise’ – now collector’s items – for Columbia Records before they disbanded in 1971. In the early 1970s, Randy performed live with many prominent artists including Larry Coryell’s Eleventh House, Stevie Wonder and Billy Cobham. He also recorded several classic albums with his brother under the leadership of the great pianist/composer Hal Galper. By 1975, Randy and Michael were ready to front their own group, the Brecker Brothers Band. A band of immeasurable impact and influence, they released six albums on Arista and garnered seven Grammy nominations between 1975 and 1981. Their eponymous first record, which Randy wrote, arranged and produced, featured his now classic composition “Some Skunk Funk.” In 1992, exactly ten years after they parted ways to pursue solo careers, Randy and Michael reunited for a world tour and the triple-Grammy nominated GRP recording, ‘The Return of the Brecker Brothers’. The follow-up, 1994’s ‘Out of the Loop,’ was a double-Grammy winner. Randy continued throughout the the 2000s with Grammy nominations and tours.
MSJ reserves the right to change or substitute faculty at any time